Integrated Canon RF lens mount (but apparently you can’t natively use RF lenses at the moment), Built-in LCD screen with touchscreen controls. According to Philip, the footage was then ingested into Davinci Resolve and set up in a DCI-P3, Gama 2.6, timeline (no grading). 1.

The first Komodo footage is an initial qualitative test comparison between the Komodo and RED Helium. The following Komodo-related news were announced a bit earlier already, but I decided to include them in order to have a complete cinema5D coverage of the process since my last update on Komodo. Jarred said, that hardware is finalized, but in terms of firmware, there might still be some bugs that will get ironed out with later updates. The camera landscape in 2020 is extremely different from what it was in 2010-2012. I returned the Canon, obviously. Now, he’s got the Komodo. On the bottom layer he adds a look LUT that does the creative changes. Maybe we’re looking at the camera in the wrong light? Haters gonna hate! Used Hydrogens are are on eBay for around $100. Same robust colors, resolution is super sharp, typical insane RED dynamic range, and RED raw is so easy and flexible. The 1DX, which is the obvious comparison camera right now…honestly doesn’t look any better than the A7s2, whereas the Komodo looks like a Helium. When it comes to the price of the pre-stormtrooper colored version, Jarred said: “Everything got way more expensive cause of this whole virus thing but I’m gonna hold these custom colors to the stormtrooper price for as long as I can.” This means the first custom-colored Komodos could cost slightly over the $7.000 mark. It’s got a gravitas to the image. Yossy is a filmmaker specializes mainly in action sports cinematography. Till now, this was a strange enigma regarding the Komodo. PDAF autofocus is coming along nicely… we still have miles and miles to go to make this new AF perfect but the RED engineers definitely are at the top of their game right now. Several RED KOMODO owners recently presented a live stream answering questions about the camera, and Jarred Land (CEO of Red) himself later joined them. And, at launch, it won’t actually support native RF lenses. This purpose-built grip is lightweight, durable, has some adjustments, and features a built-in record start/stop button. Arri can hold the line because of their lengthy legacy within the industry, but RED in relation is still a “newcomer” to the scene, but they’re pricing suggests they think of themselves as legendary as Arriflex. However, thanks to Grossman, we can now examine the real capabilities of the cameras. Lens Mount: Integrated Canon RF Mount. For those who are pre-ordering the camera right now, an official list of specs would be nice though. Coming from RED this is surprising as all their other cameras required a bucket of expensive accessories just so that they could function as normal. © 2020 All rights reserved. Cinematographer Vance Burberry takes…, The details of the forthcoming MFT camera by Panasonic, Lumix BGH1, have leaked into the web…, Some Mission: Impossible 7 (and 8?) Everyone seems to be recommending the RED Outrigger Handle. This is the ideal camera to get into small spaces, mount onto light drones and gimbals, and still obtain cinematic images within that R3D codec. It can be moved up and down as needed, leaves room for other accessories, and has a record button. This camera especially has a fairly boxy form factor that could use some love. When I finally did have the needed components, I lacked the correct rigging equipment. Additionally, the camera also houses phase detection autofocus. Jim Jannard changed the industry and held Sony to account for peddling lame HD video cameras for $100K+. Seven Essential Tips on How to Take Your Cinematography to the Next Level, ProRes RAW Gains Momentum with Added Features and Workflow Enhancements in Premiere Pro CC. RED KOMODO Outrigger Handle The KOMODO is small and boxy, which is fine if you just want to leave it on a tripod all day, but terrible if you want to pick it up at all.

Both cameras were configured to maximum resolution and lowest compression. https://www.bhphotovideo.com/c/product/1598390-REG/red_digital_cinema_710_0333_komodo_6k_digital_cinema.html. Red have also had their fair share of price gouging and deliberate obsolescence too. Thanks to the KOMODO’s discreet nature, this ideology has plagued the unit. Compact cinema camera featuring RED’s unparalleled image quality, color science, and groundbreaking global shutter sensor technology in a shockingly small and versatile form factor. RED seems to be shipping its 6K Komodo cinema camera based on Jarred Land's social media activity. CFAST 2.0 media allows users to use a widely accessible, standardized, and reliable media source, KOMODO uses either Canon BP955 (4900mAh) or BP975 (730mAh), allowing users to choose an industry standard and widely relied-upon power source, 1. In the second layer he applies some standard color correction to match footage and do basic changes. No spam, guaranteed! Another interesting fact is that the first batch of Komodos was actually named “Grossman Gold” after Grossman’s work in Chernobyl. Global shutters differ from a rolling shutter by capturing the entire sensor area simultaneously when creating the image rather than a sequential, line-by-line scan of the rolling shutter (see our article about global versus rolling shutters for more information). In a year packed with eye-catching cinema camera releases, RED just might be one of the most intriguing and most talked about with the KOMODO 6K. How and Why to Cycle Through Video and Camera Gear.

In terms of color management, the camera supports RED's IPP2 (Image Processing Pipeline) for dynamic color and gamma with intense detail and high roll-off that is standardized throughout the RED camera range. Whether on set or online, take advantage of live 4K monitoring output to review content or stream.

Thanks to Chernobyl filmmaker, Philip Grossman, we can now explore what the “Grossman Gold” is capable of. Grossman is an award-winning cinematographer and photographer. The AF is not good enough IMHO. For best results, you’ll want to recalibrated if your settings or the scene changes dramatically. As the world's largest source of photography, video, and audio equipment, as well as computers, drones, and home and portable entertainment, B&H is known worldwide for its attentive, knowledgeable sales force and excellent customer service, including fast, reliable shipping. More and more of them do. This will tell you whether or not you are clipping highlights or losing shadows and which channel is suffering from it. You could even pick up a cage and a lot more accessories if you want. The Next MacBook Pro Models Could be Armed With Keyboard That Changes Colors, Premiere Pro 14.5 Released: Performance and Workflow Improvements, Canon Introduces a New 19K 250 MP APS-H CMOS Sensor, Motion Impossible Partners With AbelCine: Establishing Remote Cinematography in the US, Watch: Emmy Commercial Shot on URSA Mini Pro 12K, Apple ProRes and CODEX HDE Technologies Get the Engineering Emmy Award, Shot on iPhone 12 Pro by Cinematographer Emmanuel Lubezki, Panasonic Lumix BGH1: Full Specs and Details Leaked, Canon Shows Off its Upcoming EOS 8K Cinema Camera Footage, RED Helium 8K VS Blackmagic URSA 12K: A Comparison of the Essentials, Z CAM E1 Crash-Cam Spotted in Mission: Impossible 7, Feefly Introduces Wave: A Compact 4K High Speed (420 FPS) Global Shutter Camera.

Sony added 4K because Paul Ream hacked the F5 early on and found out that there was a key to open up the 4K pipeline for the F5. All your NLEs should have no problem decoding all these files and playing them back normally. The whole, $1800 for a $50 Kingston mSata is pretty hard to swallow; especially for production houses that had to replace all their media when switching to DSMC2. we last posted an update on RED’s latest compact cinema camera, New Super 35 6K sensor that features global shutter and rolling shutter modes as well as Phase Detect Auto Focus, Max Resolution: 6144×3240 (full sensor with DCI aspect ratio), Max Framerate: 6K FF @ 40fps, 6K WS @50fps, 4k @60fps shouldn’t be a problem, there should be 48fps modes available, Anamorphic Support: Yes, but it will not be officially available till around two months after initial release, Codec Support: Internal Compressed RAW (REDCODE RAW, R3D), unknown if other codecs are supported as of now. KOMODO’S RF MOUNT PROVIDES TREMENDOUS FLEXIBILITY AND COMPATIBILITY WITH A WIDE ARRAY OF EF AND PL LENSES AND THE ABILITY TO LEVERAGE ADAPTERS W/ INTERNAL ND FILTERS. No blurred or curved lines. When you have to troll through comment forums on a fan site (Reduser.net, which Red didn’t even own) to find firmware updates for $20K-$60K cameras, you’re not dealing with a company that has its act together. The touchscreen allows you to quickly and intuitively select the autofocus area, and then you can let the camera take over while you record. Thanks to Grossman and Phil Holland’s thread on REDuser we can accumulate some more specs and functionality regarding the Komodo, as the formal specs haven’t been released yet. The most significant change to this camera versus RED’s other models is that it shoots right out the box… to some extent. That little line about Sony adding 4K to the Sony F5 long after the F5 was discontinued.

This revolutionary and highly accessible camera is the RED KOMODO 6K, an all-in-one Super 35mm cinema camera in a form that even budget-conscious run … The $4K difference in price might seem a bit unwarranted to some would-be buyers. How DIY is the Tilta BMPCC 4K/6K Display Modification Kit? Is it worthy for content creators? Regarding the specs list, explore the chart below to reveal what we know so far: One of the key factors in cinema cameras is indisputably image quality. It also supports ProRes 422 HQ format up to DCI 4K60 and 2K120 for quicker transfer and turnaround time. So again, the only way how to currently pre-order the RED Komodo is to contact Jarred Land directly at [email protected]. In addition to the Expander Module, a full line of accessories will be available separately from RED with the camera's introduction: Wooden Camera is also releasing a full line of accessories for the KOMODO, such as a top handle, baseplate, battery slide, monitor hinges, an R-to-PL mount adapter, and various accessory kits. It’s disappointing to see that Red still hasn’t evolved into a professional-grade entity.

Now that our factory is back in action …albeit severely anemic with the new protocols, we can slowly start making Komodos again. With the increase in hybrid still-and-video cameras, and the insatiable need to appeal to the modern content creator, newly released cameras often attempt to do it all. Get updated with News & Insights on Digital Cinema! Will Netflix Acquire ‘No Time to Die’ for $600 Million? This is not true. They have yet to be formally announced. The KOMODO is small and boxy, which is fine if you just want to leave it on a tripod all day, but terrible if you want to pick it up at all. For more information on compatible accessories, go to red.com/third-party-accessories. Jakub Han is a freelance filmmaker based in Vienna. RED cameras offers solid codec options for video with an obvious slant towards pro workflows.

You’ll want to use exposure tools, such as the RGB exposure, which is effectively a histogram. He also edits the raw settings at this point. I would have thought even RED would have retooled for that reality. How to Exposeeval(ez_write_tag([[250,250],'4kshooters_net-large-mobile-banner-1','ezslot_3',148,'0','0'])); Every camera handles exposure a bit differently. That is pathetic. Outside of the R3D codec and global shutter, the Komodo specs aren’t significantly new to cameras priced slightly above the $4,000 margin.



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